Anish Kapoor divides opinion, clearly talented and possessing the vision and confidence to create truly awe inspiring pieces of quite ridiculous scale and grandeur. On one hand his use of a huge variety of materials and ideas is brilliant, on the other the epitome of vulgarity in modern art that is the ArcelorMittal Orbit….. or that bloody great eyesore slide thing next to the Olympic Stadium in London’s Eastend.
With this in mind a visit to Kapoor’s first foray in Berlin was an exciting / galling prospect. SF need not have worried as it was quite wonderful, varied, gigantic, ridiculous and thoroughly worthwhile. Even if it was tricky getting a few stolen pictures on the iPhone. Never will I understand why galleries stop you from taking a couple of picture momentos.
Kapoor has over his career forged an impressive reputation and body of work and as a Turner Prize winner he has been noted as one of the most important artists of his time.
His exhibition at the Martin-Gropius-Bau comprises of almost 70 pieces from sculpture to wax models, to mirrors, to some huge spaced out bouncy castle to a canon to shoot huge paint pot side bullets into a corner of the room. SF likes.
Here is what the Guardian found out when they spoke to the man himself